The Living Archive

The Living Archive: heritage restoration and history research

Historical images restored in colour, stories researched from the record, and films that bring the past back to life, for institutions, archives, museums and publishers.

A film restoration table with reels and old temple photographs, illustrating heritage restoration

What we do

Heritage restoration and history research

History survives in fragments. These are the ways the studio brings it back.

Historical image restoration

Damaged photographs repaired, and colour restored from research.

History research

Sources, archives and records researched for films, books and exhibitions.

Exhibition and museum films

Short films that tell a collection’s story to its visitors.

Heritage documentation

Places, crafts and rituals recorded before they change.

Archival documentaries

History told through records and images. See documentary production.

Visual reconstruction

How a place may have looked, rebuilt from evidence and always labelled as a reconstruction.

Heritage restoration with evidence

Heritage restoration brings damaged photographs, places and stories back into view. Every restored colour, costume and building is checked against sources first, and anything rebuilt is labelled as a reconstruction so the record stays honest.

The studio works for institutions, archives, museums, publishers and families, and can turn restored material into exhibition films and archival documentaries.

On the record

Research on the record

  • Research libraries on Assam’s history and Indian culture, built and maintained in the studio
  • Historical images restored for stock and publication
  • Devotional and documentary films researched from primary sources
  • Trained as an architect: buildings, periods and spaces read with care

How we work

Evidence first

Restoration is only as good as its research. Every colour, costume and building is checked against sources before it is restored or rebuilt.

Reconstructions are always labelled as reconstructions, so the record stays honest.

Before and after

Assam on film, 2010

Archival footage the studio shot in Guwahati in 2010: Kamakhya Temple on Nilachal Hill, and Deepor Beel with the Durga Puja immersion at Pandu Ghat. Footage like this is the raw material of heritage films.

Restored photographs: before and after

Three historical restorations from the studio’s archive work. Each original was researched for period, place and dress, then restored and brought back to full colour. Click any image to see it full size.

Victoria Terminus, Bombay

The Taj Mahal from the riverbank

A Mughal emperor’s portrait

History, reconstructed on film

Historical films from the archive work

The same research carried into moving pictures: periods reconstructed from evidence (architecture, dress, daily life) and directed as cinema.

Experience Ancient Egypt in 4K: a cinematic historical trailer, built on six months of research (17K views)

How it runs

How an archive project runs

  • Brief: the collection, the audience and the purpose.
  • Research: sources and references gathered and agreed.
  • Restoration or film: the work itself, reviewed at named gates.
  • Labelling: what is original, what is restored and what is reconstructed.
  • Delivery: files for print, screen and archive.

Every stage has a named review gate. See the full process.

Questions

Questions about the archive

Can you restore our old photographs?

Yes. Damaged photographs can be repaired, and colour restored with research. You receive the restored files with notes on what was changed.

Do you research history for books and exhibitions?

Yes. Research is available on its own, or as the foundation of a film, book or exhibition.

How do you keep restoration honest?

Every restored or reconstructed image is labelled as such, and the sources are recorded.

Who do you work with?

Institutions, archives, museums, publishers and families who want their history preserved.

Can you colourise old black-and-white photographs?

Yes, with research. Colours for clothing, buildings and landscapes are chosen from sources of the period, and every colourised image is labelled as restored, so it is never mistaken for an original colour photograph.

Do you make exhibition films from archives?

Yes. Restored photographs, documents and research can become short films for museums, exhibitions and anniversaries, with narration and music made in the studio.

Why does heritage restoration need research?

Because a restored image is a claim about the past. Every repair and every colour is checked against sources of the period, so the result is faithful to what was there, not to what looks attractive today. The research is recorded and delivered with the images.

Related services

Bring your history back

Tell us about the collection or the story. You will hear back within one working day.